Kamila Kobierzyńska is a visual artist specialising in photography and art fabrics. Kamila Kobierzyńska delves into the realm of profound artistic research encompassing themes of individual prosthetic memory, generational post-memory and identity. Kamila Kobierzyńska’s artworks primarily revolve around photographic techniques, some of which include original cyanotypes, carefully crafted by the artist on delicate silk. Silkworm’s shapes that emerge from her artworks hold significant anthropological symbolism, reflecting her multidimensional exploration of human heritage. Notably, one of her cyanotypes portrays a form derived from Drakensberg cave paintings. The elusive life span of the flying insect that was preserved miraculously over tens of thousands of years, serves as a poignant reminder of the fragility inherent in humanity, especially when observed from a cosmic perspective.   The moth motif that covers photosensitive fabric outstretched under the ceiling incorporates these threads in the process of its creation. Rusted shape of the animal pressed into material connotes the delicate puff on the insect’s wings that was immortalised in the cave’s stone. This distant perspective is captured through various transformations of human development as a species. One such example is evident in her scan of the sphenoid bone, which she uses to accentuate the insect-like presence within us. The perspective she chooses for this artwork conveys a sense of the moth-like shape of the bone which seems to be advancing towards the viewer. This evokes in us the sense of the moth's azimuth, directing us towards the Moon.